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(After the initial pressings "Boogie Woogie Santa Claus" was replaced as the B-side by " Long Long Ago".) A No. "The Tennessee Waltz" entered the Pop Music chart of Billboard dated Novemfor a 30-week chart run and peaked at number one on the Decemchart the track would remain at number one for a total of nine weeks. Page cut "The Tennessee Waltz" in a November 1950 session in New York City with Rael conducting his orchestra: her vocal was cut multitracked with three voices, with two, and as a single voice with Page herself selecting the two-voice multitracked vocal featured on the single as released. It's been asserted that Page herself chose to record "Tennessee Waltz", the C&W version being a favorite song of her father, and also that Jerry Wexler, then a record reviewer for Billboard brought "Tennessee Waltz" to the attention of Page's manager, Jack Rael, by playing him a new R&B rendition by Erskine Hawkins. Patti Page recorded the song – as "The Tennessee Waltz" – to serve as B-side to the seasonal single "Boogie Woogie Santa Claus", issued by Mercury Records as Catalog# 5534 at the end of 1950. 3 (Pee Wee King's Golden West Cowboys) and No. īoth singles became Top Ten C&W hits – the chart was then known as "Best Selling Folk Retail Records" – in the spring and summer of 1948 with respective peaks of No. Ī version by Cowboy Copas, a former member of the Golden West Cowboys was released by King Records (King 696) two months later in March 1948. Īcuff-Rose Music, the publisher, did not immediately register a copyright to the song when it was presented to the company by King and Stewart and did not obtain the "consummate proof of ownership, and the key to protecting a songwriter's property" until February 1948. Its release as Victor (20–2680) was noted the following month. Their recording was made in a Decemsession at the RCA Victor Studio in Chicago. King and Stewart presented "Tennessee Waltz" to music publisher Fred Rose the next day, and Rose adjusted one line of Stewart's lyric: "O the Tennessee waltz, O the Tennessee Waltz," to "I remember the night and the Tennessee Waltz."Ī considerable amount of time passed before Pee Wee King's Golden West Cowboys were able to record "Tennessee Waltz". Stewart had an idea to write a Tennessee waltz using the melody of King's theme song: "No Name Waltz", and wrote the lyrics on a matchbox as he and King thought up the words. Pee Wee King, Redd Stewart, and their fellow Golden West Cowboys members were en route to Nashville "close to Christmas in 1946" when King and Stewart, who were riding in a truck carrying the group's equipment, heard Bill Monroe's new song " Kentucky Waltz" on the radio. The popularity of "Tennessee Waltz" also made it the fourth official song of the state of Tennessee in 1965. The lyrics are altered for pronoun gender on the basis of the gender of the singer.
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Īll versions of the lyrics narrate a situation in which the persona has introduced his or her sweetheart to a friend who then waltzes away with her or him. As of 1974, it was the biggest-selling song ever in Japan.
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The song became a multimillion seller via a 1950 recording – as "The Tennessee Waltz" – by Patti Page.
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" Tennessee Waltz" is a popular country music song with lyrics by Redd Stewart and music by Pee Wee King written in 1946 and first released in January 1948. For other uses, see Tennessee Waltz (disambiguation).